{"id":26228,"date":"2025-01-21T21:47:38","date_gmt":"2025-01-21T20:47:38","guid":{"rendered":"https:\/\/www.summerjazz.pl\/events\/marcus-miller\/"},"modified":"2025-06-12T23:23:10","modified_gmt":"2025-06-12T21:23:10","slug":"marcus-miller","status":"publish","type":"mec-events","link":"https:\/\/www.summerjazz.pl\/en\/events-en\/marcus-miller\/","title":{"rendered":"MARCUS MILLER EUROPEAN TOUR SUMMER 2025"},"content":{"rendered":"\n<p style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50)\">A giant of electric bass, currently the most charismatic artist of funk-fusion, soul and R&amp;B music, he combines the virtuosity of Stanley Clarke and the feline agility of the legendary Jaco Pastorius. However, he has a clear advantage over all bassists &#8211; he is also an excellent composer whose work goes far beyond jazz, an outstanding arranger with an incredible sense of timbre, a multi-instrumentalist and an efficient producer who knows the music market like few others. All this has made him the most sought-after artist for decades, both as the leader of his own formations and as a session musician of the biggest jazz, fusion and pop stars.   <\/p>\n\n<p style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50)\"><br\/>He inherited his musical talent from his father, a church organist and choir conductor. Few people know that Miller is the cousin of the outstanding pianist Wynton Kelly, who collaborated with Davis in the 1950s; young Marcus could not even dream that in the future he too would be taken under Miles&#8217; wing.<br\/>His road to the top was long, but not necessarily bumpy. He started with a classical education for&#8230; clarinet (today he uses only the bass one), only later did he master the piano, soprano saxophone and bass guitar \u2013 he is very good at each of these instruments. He began his career by collaborating with jazz flautist Bobbi Humphrey and pianist Lonnie Liston Smith. Over the next 15 years, he worked as a session musician, recording with a galaxy of artists of various &#8220;options&#8221; &#8211; from David Bowie, Michael Jackson, Bryan Ferry, Jean-Michel Jarre, Donald Fagen and Eric Clapton to David Sanborn, Groover Washington, Aretha Franklin and Don Cherry.     <\/p>\n\n<p style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50)\"><br\/>The most important period in his career was his cooperation with Davis. It turned out to be beneficial for both parties &#8211; Miller became a first-class artist, Miles gained a musician who restored his energy and creativity. They recorded together: &#8220;The Man with the Horn&#8221; &#8211; Davis&#8217; first album, on which he proved that he was great again after years of break &#8211; &#8220;We Want Miles&#8221;, &#8220;Star People&#8221;, &#8220;Siesta&#8221; (with film music by Miller). The breakthrough album was &#8220;Tutu&#8221; (1986). Miller wrote and arranged most of the songs, and was also a co-producer. As an arranger, he reached for the latest achievements in sound technology, creating a sound that was later widely imitated. The artist faced the material of this album again in 2010, creating its live version, &#8220;Tutu Revisited&#8221;, with Christian Scott on trumpet. After the breakup, Miles led his own groups, fulfilled himself as a singer, collaborated with Wayne Shorter, The Crusaders, Luther Vandross, and wrote film music.       <\/p>\n\n<p style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50)\"><\/p>\n\n<p><\/p>\n\n<p><\/p>\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A giant of electric bass, currently the most charismatic artist of funk-fusion, soul and R&amp;B music, he combines the virtuosity of Stanley Clarke and the feline agility of the legendary&hellip;<\/p>\n","protected":false},"author":3,"featured_media":26049,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"mec_category":[270],"class_list":["post-26228","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","mec_category-recommended"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MARCUS MILLER EUROPEAN TOUR SUMMER 2025 - Summer Jazz Festival Krakow<\/title>\n<meta name=\"description\" content=\"Marcus Miller, a man-institution - multi-instrumentalist, composer (also of film music), arranger, leader of his own formations, the most desirable session musician of leading jazz, fusion and pop stars, vocalist, songwriter and finally an efficient producer, well sensing new trends. Miller&#039;s name immediately comes to mind with the bass guitar. And rightly so, because he is the greatest virtuoso of this instrument since the times of Jaco Pastorius. However, it is worth remembering that Miller is a classically educated... A clarinetist (he plays mainly the bass clarinet), only later did he master the keyboard, soprano saxophone and bass \u2013 he copes with each of these instruments perfectly. The second association \u2013 Davis&#039; musical partner and co-creator of many of his successes in the 80s. The period with Miles was perhaps the most important chapter in Miller&#039;s career. He played with him on the albums The Man with the Horn (the trumpeter&#039;s first album released after his &quot;health leave&quot;), We Want Miles, Star People, Tutu, Siesta, Amandla. The closest to Polish fans is Tutu (1986), played by &quot;our man&quot;, Micha\u0142 Urbaniak \u2013 his solo electrifies to this day. It was also a breakthrough album for Miller, and from that moment on he began to play the role of court composer in Davis&#039; band, as Shorter had in the Second Great Quintet. On Tutu, he wrote and arranged most of the songs, as well as controlled the entire production. He did not hesitate to use the latest technology (samplers, drum machines, effects, modeling and recording equipment), creating a pattern of sound and studio work that was widely imitated in the 80s. and later. His contribution to this project was so huge that malicious people claimed that Miles was not a leader, but only... a sideman on his own album. Miller was also emotionally attached to the material of this album \u2013 in 2010 he produced its live version, Tutu Revisited, with Christian Scott on trumpet. From the beginning, he focused on electric music and lighter genres, today his style is a perfectly balanced combination of jazz, funk, fusion, soul and R&amp;B.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.summerjazz.pl\/en\/events\/marcus-miller\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MARCUS MILLER EUROPEAN TOUR SUMMER 2025 - Summer Jazz Festival Krakow\" \/>\n<meta property=\"og:description\" content=\"Marcus Miller, a man-institution - multi-instrumentalist, composer (also of film music), arranger, leader of his own formations, the most desirable session musician of leading jazz, fusion and pop stars, vocalist, songwriter and finally an efficient producer, well sensing new trends. Miller&#039;s name immediately comes to mind with the bass guitar. And rightly so, because he is the greatest virtuoso of this instrument since the times of Jaco Pastorius. However, it is worth remembering that Miller is a classically educated... A clarinetist (he plays mainly the bass clarinet), only later did he master the keyboard, soprano saxophone and bass \u2013 he copes with each of these instruments perfectly. The second association \u2013 Davis&#039; musical partner and co-creator of many of his successes in the 80s. The period with Miles was perhaps the most important chapter in Miller&#039;s career. He played with him on the albums The Man with the Horn (the trumpeter&#039;s first album released after his &quot;health leave&quot;), We Want Miles, Star People, Tutu, Siesta, Amandla. The closest to Polish fans is Tutu (1986), played by &quot;our man&quot;, Micha\u0142 Urbaniak \u2013 his solo electrifies to this day. It was also a breakthrough album for Miller, and from that moment on he began to play the role of court composer in Davis&#039; band, as Shorter had in the Second Great Quintet. On Tutu, he wrote and arranged most of the songs, as well as controlled the entire production. He did not hesitate to use the latest technology (samplers, drum machines, effects, modeling and recording equipment), creating a pattern of sound and studio work that was widely imitated in the 80s. and later. His contribution to this project was so huge that malicious people claimed that Miles was not a leader, but only... a sideman on his own album. Miller was also emotionally attached to the material of this album \u2013 in 2010 he produced its live version, Tutu Revisited, with Christian Scott on trumpet. From the beginning, he focused on electric music and lighter genres, today his style is a perfectly balanced combination of jazz, funk, fusion, soul and R&amp;B.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.summerjazz.pl\/en\/events\/marcus-miller\/\" \/>\n<meta property=\"og:site_name\" content=\"Summer Jazz Festival Krakow\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/summerjazzfestival\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-12T21:23:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.summerjazz.pl\/wp-content\/uploads\/miller-fb-event-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1008\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.summerjazz.pl\/en\/events\/marcus-miller\/\",\"url\":\"https:\/\/www.summerjazz.pl\/en\/events\/marcus-miller\/\",\"name\":\"MARCUS MILLER EUROPEAN TOUR SUMMER 2025 - Summer Jazz Festival Krakow\",\"isPartOf\":{\"@id\":\"https:\/\/www.summerjazz.pl\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.summerjazz.pl\/en\/events\/marcus-miller\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.summerjazz.pl\/en\/events\/marcus-miller\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.summerjazz.pl\/wp-content\/uploads\/miller-fb-event-1.jpg\",\"datePublished\":\"2025-01-21T20:47:38+00:00\",\"dateModified\":\"2025-06-12T21:23:10+00:00\",\"description\":\"Marcus Miller, a man-institution - multi-instrumentalist, composer (also of film music), arranger, leader of his own formations, the most desirable session musician of leading jazz, fusion and pop stars, vocalist, songwriter and finally an efficient producer, well sensing new trends. Miller's name immediately comes to mind with the bass guitar. And rightly so, because he is the greatest virtuoso of this instrument since the times of Jaco Pastorius. However, it is worth remembering that Miller is a classically educated... A clarinetist (he plays mainly the bass clarinet), only later did he master the keyboard, soprano saxophone and bass \u2013 he copes with each of these instruments perfectly. The second association \u2013 Davis' musical partner and co-creator of many of his successes in the 80s. The period with Miles was perhaps the most important chapter in Miller's career. He played with him on the albums The Man with the Horn (the trumpeter's first album released after his \\\"health leave\\\"), We Want Miles, Star People, Tutu, Siesta, Amandla. The closest to Polish fans is Tutu (1986), played by \\\"our man\\\", Micha\u0142 Urbaniak \u2013 his solo electrifies to this day. It was also a breakthrough album for Miller, and from that moment on he began to play the role of court composer in Davis' band, as Shorter had in the Second Great Quintet. On Tutu, he wrote and arranged most of the songs, as well as controlled the entire production. He did not hesitate to use the latest technology (samplers, drum machines, effects, modeling and recording equipment), creating a pattern of sound and studio work that was widely imitated in the 80s. and later. His contribution to this project was so huge that malicious people claimed that Miles was not a leader, but only... a sideman on his own album. Miller was also emotionally attached to the material of this album \u2013 in 2010 he produced its live version, Tutu Revisited, with Christian Scott on trumpet. 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It was also a breakthrough album for Miller, and from that moment on he began to play the role of court composer in Davis' band, as Shorter had in the Second Great Quintet. On Tutu, he wrote and arranged most of the songs, as well as controlled the entire production. He did not hesitate to use the latest technology (samplers, drum machines, effects, modeling and recording equipment), creating a pattern of sound and studio work that was widely imitated in the 80s. and later. His contribution to this project was so huge that malicious people claimed that Miles was not a leader, but only... a sideman on his own album. Miller was also emotionally attached to the material of this album \u2013 in 2010 he produced its live version, Tutu Revisited, with Christian Scott on trumpet. 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It was also a breakthrough album for Miller, and from that moment on he began to play the role of court composer in Davis' band, as Shorter had in the Second Great Quintet. On Tutu, he wrote and arranged most of the songs, as well as controlled the entire production. He did not hesitate to use the latest technology (samplers, drum machines, effects, modeling and recording equipment), creating a pattern of sound and studio work that was widely imitated in the 80s. and later. His contribution to this project was so huge that malicious people claimed that Miles was not a leader, but only... a sideman on his own album. Miller was also emotionally attached to the material of this album \u2013 in 2010 he produced its live version, Tutu Revisited, with Christian Scott on trumpet. 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