{"version":"1.0","provider_name":"Summer Jazz Festival Krakow","provider_url":"https:\/\/www.summerjazz.pl\/en\/","author_name":"Anna Adamek","author_url":"https:\/\/www.summerjazz.pl\/en\/author\/anna-adamek-admin\/","title":"MARCUS MILLER EUROPEAN TOUR SUMMER 2025 - Summer Jazz Festival Krakow","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ZIn6hasWha\"><a href=\"https:\/\/www.summerjazz.pl\/en\/events-en\/marcus-miller\/\">MARCUS MILLER EUROPEAN TOUR SUMMER 2025<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.summerjazz.pl\/en\/events-en\/marcus-miller\/embed\/#?secret=ZIn6hasWha\" width=\"600\" height=\"338\" title=\"&#8220;MARCUS MILLER EUROPEAN TOUR SUMMER 2025&#8221; &#8212; Summer Jazz Festival Krakow\" data-secret=\"ZIn6hasWha\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.summerjazz.pl\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.summerjazz.pl\/wp-content\/uploads\/miller-fb-event-1.jpg","thumbnail_width":1920,"thumbnail_height":1008,"description":"Marcus Miller, a man-institution - multi-instrumentalist, composer (also of film music), arranger, leader of his own formations, the most desirable session musician of leading jazz, fusion and pop stars, vocalist, songwriter and finally an efficient producer, well sensing new trends. Miller's name immediately comes to mind with the bass guitar. And rightly so, because he is the greatest virtuoso of this instrument since the times of Jaco Pastorius. However, it is worth remembering that Miller is a classically educated... A clarinetist (he plays mainly the bass clarinet), only later did he master the keyboard, soprano saxophone and bass \u2013 he copes with each of these instruments perfectly. The second association \u2013 Davis' musical partner and co-creator of many of his successes in the 80s. The period with Miles was perhaps the most important chapter in Miller's career. He played with him on the albums The Man with the Horn (the trumpeter's first album released after his \"health leave\"), We Want Miles, Star People, Tutu, Siesta, Amandla. The closest to Polish fans is Tutu (1986), played by \"our man\", Micha\u0142 Urbaniak \u2013 his solo electrifies to this day. It was also a breakthrough album for Miller, and from that moment on he began to play the role of court composer in Davis' band, as Shorter had in the Second Great Quintet. On Tutu, he wrote and arranged most of the songs, as well as controlled the entire production. He did not hesitate to use the latest technology (samplers, drum machines, effects, modeling and recording equipment), creating a pattern of sound and studio work that was widely imitated in the 80s. and later. His contribution to this project was so huge that malicious people claimed that Miles was not a leader, but only... a sideman on his own album. Miller was also emotionally attached to the material of this album \u2013 in 2010 he produced its live version, Tutu Revisited, with Christian Scott on trumpet. From the beginning, he focused on electric music and lighter genres, today his style is a perfectly balanced combination of jazz, funk, fusion, soul and R&B."}